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    Spiel Mir Das Lied Vom Tod


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    Ausflug. Als er ganz gegen 14. August 2008 ist seit langer Zeit verbringt.

    Spiel Mir Das Lied Vom Tod

    Westernklassiker Spiel mir das Lied vom Tod. Frank (Henry Fonda, links) und "​Mundharmonika" (Charles Bronson). Nacht auf Montag, Spiel mir das Lied vom Tod. Cera una volta il West. Regie: Sergio Leone Mit: Charles Bronson, Henry Fonda, Claudia Cardinale, Jason Robards, Gabriele. Spiel mir das Lied vom Tod. Darsteller: Henry Fonda, Charles Bronson, Claudia Cardinale. Regie: Sergio Leone. Produzenten: Komponisten.

    Spiel Mir Das Lied Vom Tod Servicenavigation

    Der Farmer McBain hat eine riskante und lukrative Abmachung mit dem Eisenbahnunternehmer Morton über die Fertigstellung eines Bahnhofes. Morton kennt jedoch keine Skrupel und beauftragt den Gangster Frank, McBain und seine Kinder umzubringen. Kurz. Spiel mir das Lied vom Tod (Originaltitel: C'era una volta il West; englischer Titel: Once Upon a Time in the West) ist ein von Sergio Leone inszenierter. Spiel mir das Lied vom Tod. ()IMDb 8,52 Std. 46 MinX-Ray Die Ex-​Prostituierte Jill kommt aus New Orleans in den Westen, um an der Seite des. triboulet.eu - Kaufen Sie Spiel mir das Lied vom Tod günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu​. Spiel mir das Lied vom Tod. Cera una volta il West. Regie: Sergio Leone Mit: Charles Bronson, Henry Fonda, Claudia Cardinale, Jason Robards, Gabriele. Spiel mir das Lied vom Tod. Darsteller: Henry Fonda, Charles Bronson, Claudia Cardinale. Regie: Sergio Leone. Produzenten: Komponisten. Charles Bronson und Henry Fonda während der Dreharbeiten zum Film - Spiel mir das Lied vom Tod. Bildrechte: imago/Granata Images. zum Seitenanfang.

    Spiel Mir Das Lied Vom Tod

    Spiel mir das Lied vom Tod. ()IMDb 8,52 Std. 46 MinX-Ray Die Ex-​Prostituierte Jill kommt aus New Orleans in den Westen, um an der Seite des. Der Farmer McBain hat eine riskante und lukrative Abmachung mit dem Eisenbahnunternehmer Morton über die Fertigstellung eines Bahnhofes. Morton kennt jedoch keine Skrupel und beauftragt den Gangster Frank, McBain und seine Kinder umzubringen. Kurz. Charles Bronson und Henry Fonda während der Dreharbeiten zum Film - Spiel mir das Lied vom Tod. Bildrechte: imago/Granata Images. zum Seitenanfang. Spiel Mir Das Lied Vom Tod Spiel Mir Das Lied Vom Tod Als Cheyenne sich gegen Ende des Films im Haus von Sweetwater rasiert, macht Jill ihm ein Kompliment und zugleich ein Angebot, das von der Lovemachine Version vollständig umgedeutet wird:. Im Unterschied etwa Two Broke Girl Staffel 6 französischen oder spanischen Fassung hat die deutsche Synchronversion inhaltliche Verschiebungen vorgenommen, die bereits im Titel deutlich zum Ausdruck Fußfetischist. Ein Zug trifft ein, doch scheint kein Reisender auszusteigen. In ihr Summen mischt sich das Pfeifen des Zuges und bricht plötzlich das ganze mechanische Getöse, mit dem er in den provinziellen Bahnhof im Wilden Black Panther Trailer einfährt. Der Kinostart in der Bundesrepublik Deutschland war am Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Im weiteren Verlauf führen verschiedene Klammern von einer Szene zur nächsten. Für die Datenverarbeitung ist dann der Drittanbieter verantwortlich. Dieser ist aber nicht da, sondern hat die drei Revolvermänner vorgeschickt. Jill sieht eine glänzende Zukunft vor sich und versorgt, Cheyennes Ratschlag folgend, die Arbeiter mit Erfrischungen. Währenddessen wird Cheyenne von seiner Bande aus Mortons Zug befreit, Peter Pan Disney fast alle Mitglieder beider Banden getötet werden. Namensräume Artikel Diskussion. Doch als Cheyenne Jill besucht, erkennt sie, dass dieser zwar ein Gauner sein mag, aber kein Meuchelmörder. Morton selbst stirbt unweit seines Zuges am Rand einer schmutzigen Wasserpfütze, von Frank verspottet, der gekommen war, um mit ihm abzurechnen. Um nicht zwangsweise Corinna Harfouch Kinder zu werden, hat er beim Kauf des Landes vertraglich zugesagt, einen Bahnhof und eine Kleinstadt zu bauen. Französisches Lied 2019 interessiert sie sich allerdings weitaus mehr für den Namenlosen, der dies jedoch nicht erwidert. Do Leone wollte zwar die Magie der amerikanischen Western heraufbeschwören, aber Unsere Erde Der Film die übliche Hurra-Propaganda für den American Way of Life.

    Zunächst glauben alle, dass Cheyenne der Mörder des Farmbesitzers ist, doch ein geheimnisvoller Mundharmonikaspieler, der in der Stadt auftaucht, bringt Licht in das Dunkel.

    Während er mit der Hilfe Cheyennes Jill hilft, den Bahnhof zu vollenden, führt ihn die Suche nach dem wahren Mörder in seine eigene Vergangenheit.

    Hard Kill Hexen Hexen Der Film erzählt die schwarzhumorige und herzerwärmende Geschichte eines jungen Waisenjungen, der Es war einmal ein Schneemann Was passierte eigentlich mit Olaf zwischen dem epischen Augenblick, als Elsa ihn erschaffen hat, wei Leichen pflastern seinen Weg Der irre Loco und seine Kopfgeldjäger kennen keine Gnade gegenüber hungernden Bergbewohn Zwei glorreiche Halunken Ein mysteriöser Fremder, der mexikanische Revolverschütze Tuco und Sentenza, ein sadisti Auf der As the boy struggles to hold his brother's weight, Frank stuffs a harmonica into the panting boy's mouth.

    The older brother curses Frank, and the boy who will grow up to be Harmonica collapses to the ground. Back in the present, Harmonica draws first and shoots Frank.

    He then stuffs his harmonica into the dying Frank's mouth as a reminder. At the house again, Harmonica and Cheyenne say goodbye to Mrs. McBain, who is supervising the construction of the railway station as the track-laying crews reach Sweetwater.

    As the two men ride off, Cheyenne falls, admitting that he was mortally wounded by Morton during the fight with Frank's gang. While Harmonica rides away with Cheyenne's dead body, the work train arrives and Mrs.

    McBain carries water to the rail workers. After making his American Civil War epic The Good, the Bad and the Ugly , Leone had intended to retire from making Westerns, believing he had said all he wanted to say.

    He had come across the novel The Hoods by the pseudonymous " Harry Grey ", an autobiographical book based on the author's own experiences as a Jewish hood during Prohibition , and planned to adapt it into a film this would eventually, seventeen years later, become his final film, Once Upon a Time in America.

    Leone though was offered only Westerns by the Hollywood studios. However, when Paramount offered Leone a generous budget along with access to Henry Fonda —his favorite actor, and one whom he had wanted to work with for virtually all of his career—Leone accepted the offer.

    Leone commissioned Bernardo Bertolucci and Dario Argento to help him devise a film treatment in late The men spent much of the following year watching and discussing numerous classic Westerns such as High Noon , The Iron Horse , The Comancheros , and The Searchers at Leone's house, and constructed a story made up almost entirely of "references" to American Westerns.

    Ever since The Good, the Bad and the Ugly , which originally ran for three hours, Leone's films were usually cut often quite dramatically for box office release.

    Leone was very conscious of the length of Once Upon a Time in the West during filming and later commissioned Sergio Donati , who had worked on several of Leone's other films, to help him refine the screenplay, largely to curb the length of the film towards the end of production.

    Many of the film's most memorable lines of dialogue came from Donati, or from the film's English dialogue adapter, expatriate American actor Mickey Knox.

    Whereas the "Dollars" films were quirky and up-tempo, a celebratory yet tongue-in-cheek parody of the icons of the Wild West, this film is much slower in pace and somber in theme.

    Leone's distinctive style, which is very different from, but very much influenced by, Akira Kurosawa 's Sanshiro Sugata , is still present but has been modified for the beginning of Leone's second trilogy, the so-called Once Upon a Time Trilogy.

    The characters in this film are also beginning to change markedly over their predecessors in the Dollars Trilogy. They are not quite as defined and, unusual for Leone characters up to this point, they begin to change or at least attempt to over the course of the story.

    This signals the start of the second phase of Leone's style, which would be further developed in Duck, You Sucker! The film features long, slow scenes in which there is very little dialogue and little happens, broken by brief and sudden violence.

    Leone was far more interested in the rituals preceding violence than in the violence itself. The tone of the film is consistent with the arid semi-desert in which the story unfolds, and imbues it with a feeling of realism that contrasts with the elaborately choreographed gunplay.

    Leone liked to tell the story of a cinema in Paris where the film ran uninterrupted for two years. When he visited this theater, he was surrounded by fans who wanted his autograph, as well as the projectionist, who was less than enthusiastic.

    Leone claimed the projectionist told him "I kill you! The same movie over and over again for two years! And it's so SLOW! Shooting for scenes at Cattle Corner Station, as the location was called in the story, was scheduled for four days and was filmed at the "ghost" train station in the municipality of La Calahorra , near Guadix , in the Province of Granada , Spain, as were the scenes of Flagstone.

    The brick arch where Bronson's character flashbacks to his youth and the original lynching incident was built near a small airport fifteen miles north of Monument Valley , in Utah and two miles from U.

    Route which links Gouldings Lodge and Mexican Hat. Monument Valley itself is used extensively for the route Jill travels towards her new family in Sweetwater.

    Fonda did not accept Leone's first offer to play Frank, so Leone flew to New York to convince him, telling him: "Picture this: the camera shows a gunman from the waist down pulling his gun and shooting a running child.

    The camera tilts up to the gunman's face and… it's Henry Fonda. Wallach advised Fonda to do the film, telling him "You will have the time of your life.

    When he accepted the role, Fonda came to the set with brown contact lenses and facial hair. Fonda felt having dark eyes and facial hair would blend well with his character's evil and also help the audience to accept this "new" Fonda as the bad guy, but Leone immediately told him to remove the contacts and facial hair.

    Leone felt that Fonda's blue eyes best reflected the cold, icy nature of the killer. It was one of the first times in a Western film where the villain would be played by the lead actor.

    However, the rest of the cast had to be dubbed by other actors — including Ferzetti, who was dubbed by actor Bernard Grant , Claudia Cardinale , who was voiced by Grant's wife, Joyce Gordon, and Jack Elam.

    The music was written by composer Ennio Morricone , Leone's regular collaborator, who wrote the score under Leone's direction before filming began.

    As in The Good, the Bad and the Ugly , the haunting music contributes to the film's grandeur and, like the music for The Good, the Bad and the Ugly, is considered one of Morricone's greatest compositions.

    The film features leitmotifs that relate to each of the main characters each with their own theme music as well as to the spirit of the American West.

    It was Leone's desire to have the music available and played during filming. Leone had Morricone compose the score before shooting started and would play the music in the background for the actors on set.

    Except for about a minute of the "Judgment" motif, before Harmonica kills the three outlaws, no soundtrack music is played until the end of the second scene, when Henry Fonda makes his first entry.

    During the beginning of the film, Leone instead uses a number of natural sounds , for instance, a turning wheel in the wind, sound of a train, grasshoppers, shotguns while hunting, wings of pigeons, etc.

    He found it to be "good fun" and "a painstaking distillation" of Leone's famous style, with intriguing performances by actors cast against their type and a richness of detail projecting "a sense of life of the West" made possible by Paramount's bigger budget for this Leone film.

    Ebert complained, however, of the film's length and convoluted plot, which he said only becomes clear by the second hour. While viewing Cardinale as a good casting choice, he said she lacked the "blood-and-thunder abandon" of her performance in Cartouche , blaming Leone for directing her "too passively.

    In subsequent years, the film developed a greater standing among critics as well as a cult following. It has also appeared on prominent all-time critics lists, including Time magazine's greatest films of the 20th century and Empire ' s greatest movies of all time, where it was the list's highest-ranking Western at number The critical consensus reads: "A landmark Sergio Leone spaghetti western masterpiece featuring a classic Morricone score.

    The film is recognized by American Film Institute in these lists:. The movie was a massive hit in France, [6] and was easily the most successful film released there in with It was also the most popular film in Germany with admissions of 13 million, ranking third of all time.

    Otherwise, one scene was slightly longer in the US version than in the international film release: Following the opening duel where all four gunmen fire and fall , Charles Bronson's character stands up again showing that he had only been shot in the arm.

    This part of the scene had been originally cut by director Sergio Leone for the worldwide theatrical release.

    It was added again for the U. The English-language version was restored to approximately minutes for a re-release in , and for its video release the following year.

    In Italy, a minute director's cut features a yellow tint filter, and several scenes augmented with additional material.

    This director's cut was available on home video until the early s, and still airs on TV, but more recent home video releases have used the international cut.

    After years of public requests, Paramount released a 2-Disc "Special Collector's Edition" of Once Upon a Time in the West on 18 November , with a running time of minutes minutes in some regions.

    The second disc has special features, including three recent documentaries on several aspects of the film:.

    A restored 4K version has been published by Cineteca Bologna in , with improved colors and image quality. Leone's intent was to take the stock conventions of the American Westerns of John Ford , Howard Hawks and others, and rework them in an ironic fashion, essentially reversing their intended meaning in their original sources to create a darker connotation.

    According to film critic and historian Christopher Frayling , the film quotes from as many as 30 classic American Westerns. From Wikipedia, the free encyclopedia.

    Redirected from Spiel mir das Lied vom Tod. This article is about the spaghetti western film. For other uses, see Once Upon a Time in the West disambiguation.

    Theatrical release poster by Frank McCarthy. Sergio Donati Sergio Leone. Release date. Running time. Italy [1] [2] [4] United States [1] [2] [4].

    This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

    Unsourced material may be challenged and removed. Main article: Once Upon a Time in the West soundtrack.

    Film portal United States portal Italy portal. There is no difference in content. Archived from the original on 15 October Retrieved 21 October British Film Institute.

    Archived from the original on 21 October Variety Insight. Archived from the original on 18 October The Numbers. Archived from the original on 5 July Retrieved 12 September

    Westernklassiker Spiel mir das Lied vom Tod. Frank (Henry Fonda, links) und "​Mundharmonika" (Charles Bronson). Nacht auf Montag, And it's so SLOW! Retrieved 16 Wishlist Staffel 1 Auf der The second disc has special features, including three Good Cop documentaries on several aspects of the film:. Archived from the original on 21 October Spiel Mir Das Lied Vom Tod

    Spiel Mir Das Lied Vom Tod Links auf weitere Angebotsteile Video

    Spiel mir das Lied vom Tod

    Der Film erzählt die schwarzhumorige und herzerwärmende Geschichte eines jungen Waisenjungen, der Was passierte eigentlich mit Olaf zwischen dem epischen Augenblick, als Elsa ihn erschaffen hat, wei Angetrieben von Entschlossenheit und Leidenschaft für die Wissenschaft und der Erinnerungen an ihre Während er i Dafür engagiert er den Farmer McBain, der für ihn die Drecksarbeit erledigen soll.

    Falls er es nicht in der vorgegebenen Zeit schaffen sollte, wird Morton dessen kompletter Besitz mitsamt der Farm zugesprochen.

    Jill, die ihren Mann kaum kannte, muss nun sein Erbe antreten und die Bahnstation fertig bauen. Zunächst glauben alle, dass Cheyenne der Mörder des Farmbesitzers ist, doch ein geheimnisvoller Mundharmonikaspieler, der in der Stadt auftaucht, bringt Licht in das Dunkel.

    Harmonica explains that, according to the contract of sale, she will lose Sweetwater unless the station is built by the time the track's construction crews reach that point, so Cheyenne puts his men to work building it.

    Frank turns against Morton, who wants to make a deal with Mrs. McBain, and immobilizes him under guard on his private train out in the desert.

    Instead, Mrs. McBain allows Frank to seduce her, seemingly to save her life, and is then forced to sell her property in an auction where Frank's men intimidate the other bidders.

    Harmonica disrupts Frank's plan to keep the price down when he arrives, holding Cheyenne at gunpoint, and makes a much higher bid with the reward money for the wanted Cheyenne.

    But as Cheyenne is placed on a train bound for the Yuma prison , two members of his gang purchase one-way tickets for the train, intending to help him escape.

    Morton now pays Frank's men to turn against him. However, Harmonica helps Frank kill them by directing his attention to their whereabouts from the room where Mrs.

    McBain is taking a bath. On Frank's return to Morton's train, he finds that Morton and his remaining men have been killed in a battle with Cheyenne's gang.

    Frank then goes to Sweetwater to confront Harmonica. On two occasions, Frank has asked him who he is, but both times Harmonica only answered with names of men "who were alive before they knew you".

    This time, Harmonica says he will reveal who he is "only at the point of dying". As the two prepare for a gun duel, Harmonica's motive is revealed in a flashback.

    A younger Frank forces a boy to support his older brother on his shoulders, while his brother's neck is in a noose strung from an arch.

    As the boy struggles to hold his brother's weight, Frank stuffs a harmonica into the panting boy's mouth. The older brother curses Frank, and the boy who will grow up to be Harmonica collapses to the ground.

    Back in the present, Harmonica draws first and shoots Frank. He then stuffs his harmonica into the dying Frank's mouth as a reminder. At the house again, Harmonica and Cheyenne say goodbye to Mrs.

    McBain, who is supervising the construction of the railway station as the track-laying crews reach Sweetwater. As the two men ride off, Cheyenne falls, admitting that he was mortally wounded by Morton during the fight with Frank's gang.

    While Harmonica rides away with Cheyenne's dead body, the work train arrives and Mrs. McBain carries water to the rail workers. After making his American Civil War epic The Good, the Bad and the Ugly , Leone had intended to retire from making Westerns, believing he had said all he wanted to say.

    He had come across the novel The Hoods by the pseudonymous " Harry Grey ", an autobiographical book based on the author's own experiences as a Jewish hood during Prohibition , and planned to adapt it into a film this would eventually, seventeen years later, become his final film, Once Upon a Time in America.

    Leone though was offered only Westerns by the Hollywood studios. However, when Paramount offered Leone a generous budget along with access to Henry Fonda —his favorite actor, and one whom he had wanted to work with for virtually all of his career—Leone accepted the offer.

    Leone commissioned Bernardo Bertolucci and Dario Argento to help him devise a film treatment in late The men spent much of the following year watching and discussing numerous classic Westerns such as High Noon , The Iron Horse , The Comancheros , and The Searchers at Leone's house, and constructed a story made up almost entirely of "references" to American Westerns.

    Ever since The Good, the Bad and the Ugly , which originally ran for three hours, Leone's films were usually cut often quite dramatically for box office release.

    Leone was very conscious of the length of Once Upon a Time in the West during filming and later commissioned Sergio Donati , who had worked on several of Leone's other films, to help him refine the screenplay, largely to curb the length of the film towards the end of production.

    Many of the film's most memorable lines of dialogue came from Donati, or from the film's English dialogue adapter, expatriate American actor Mickey Knox.

    Whereas the "Dollars" films were quirky and up-tempo, a celebratory yet tongue-in-cheek parody of the icons of the Wild West, this film is much slower in pace and somber in theme.

    Leone's distinctive style, which is very different from, but very much influenced by, Akira Kurosawa 's Sanshiro Sugata , is still present but has been modified for the beginning of Leone's second trilogy, the so-called Once Upon a Time Trilogy.

    The characters in this film are also beginning to change markedly over their predecessors in the Dollars Trilogy. They are not quite as defined and, unusual for Leone characters up to this point, they begin to change or at least attempt to over the course of the story.

    This signals the start of the second phase of Leone's style, which would be further developed in Duck, You Sucker! The film features long, slow scenes in which there is very little dialogue and little happens, broken by brief and sudden violence.

    Leone was far more interested in the rituals preceding violence than in the violence itself. The tone of the film is consistent with the arid semi-desert in which the story unfolds, and imbues it with a feeling of realism that contrasts with the elaborately choreographed gunplay.

    Leone liked to tell the story of a cinema in Paris where the film ran uninterrupted for two years. When he visited this theater, he was surrounded by fans who wanted his autograph, as well as the projectionist, who was less than enthusiastic.

    Leone claimed the projectionist told him "I kill you! The same movie over and over again for two years! And it's so SLOW! Shooting for scenes at Cattle Corner Station, as the location was called in the story, was scheduled for four days and was filmed at the "ghost" train station in the municipality of La Calahorra , near Guadix , in the Province of Granada , Spain, as were the scenes of Flagstone.

    The brick arch where Bronson's character flashbacks to his youth and the original lynching incident was built near a small airport fifteen miles north of Monument Valley , in Utah and two miles from U.

    Route which links Gouldings Lodge and Mexican Hat. Monument Valley itself is used extensively for the route Jill travels towards her new family in Sweetwater.

    Fonda did not accept Leone's first offer to play Frank, so Leone flew to New York to convince him, telling him: "Picture this: the camera shows a gunman from the waist down pulling his gun and shooting a running child.

    The camera tilts up to the gunman's face and… it's Henry Fonda. Wallach advised Fonda to do the film, telling him "You will have the time of your life.

    When he accepted the role, Fonda came to the set with brown contact lenses and facial hair. Fonda felt having dark eyes and facial hair would blend well with his character's evil and also help the audience to accept this "new" Fonda as the bad guy, but Leone immediately told him to remove the contacts and facial hair.

    Leone felt that Fonda's blue eyes best reflected the cold, icy nature of the killer. It was one of the first times in a Western film where the villain would be played by the lead actor.

    However, the rest of the cast had to be dubbed by other actors — including Ferzetti, who was dubbed by actor Bernard Grant , Claudia Cardinale , who was voiced by Grant's wife, Joyce Gordon, and Jack Elam.

    The music was written by composer Ennio Morricone , Leone's regular collaborator, who wrote the score under Leone's direction before filming began.

    As in The Good, the Bad and the Ugly , the haunting music contributes to the film's grandeur and, like the music for The Good, the Bad and the Ugly, is considered one of Morricone's greatest compositions.

    The film features leitmotifs that relate to each of the main characters each with their own theme music as well as to the spirit of the American West.

    It was Leone's desire to have the music available and played during filming. Leone had Morricone compose the score before shooting started and would play the music in the background for the actors on set.

    Except for about a minute of the "Judgment" motif, before Harmonica kills the three outlaws, no soundtrack music is played until the end of the second scene, when Henry Fonda makes his first entry.

    During the beginning of the film, Leone instead uses a number of natural sounds , for instance, a turning wheel in the wind, sound of a train, grasshoppers, shotguns while hunting, wings of pigeons, etc.

    He found it to be "good fun" and "a painstaking distillation" of Leone's famous style, with intriguing performances by actors cast against their type and a richness of detail projecting "a sense of life of the West" made possible by Paramount's bigger budget for this Leone film.

    Ebert complained, however, of the film's length and convoluted plot, which he said only becomes clear by the second hour.

    While viewing Cardinale as a good casting choice, he said she lacked the "blood-and-thunder abandon" of her performance in Cartouche , blaming Leone for directing her "too passively.

    In subsequent years, the film developed a greater standing among critics as well as a cult following. It has also appeared on prominent all-time critics lists, including Time magazine's greatest films of the 20th century and Empire ' s greatest movies of all time, where it was the list's highest-ranking Western at number The critical consensus reads: "A landmark Sergio Leone spaghetti western masterpiece featuring a classic Morricone score.

    The film is recognized by American Film Institute in these lists:. The movie was a massive hit in France, [6] and was easily the most successful film released there in with It was also the most popular film in Germany with admissions of 13 million, ranking third of all time.

    Otherwise, one scene was slightly longer in the US version than in the international film release: Following the opening duel where all four gunmen fire and fall , Charles Bronson's character stands up again showing that he had only been shot in the arm.

    This part of the scene had been originally cut by director Sergio Leone for the worldwide theatrical release. It was added again for the U.

    The English-language version was restored to approximately minutes for a re-release in , and for its video release the following year. In Italy, a minute director's cut features a yellow tint filter, and several scenes augmented with additional material.

    This director's cut was available on home video until the early s, and still airs on TV, but more recent home video releases have used the international cut.

    After years of public requests, Paramount released a 2-Disc "Special Collector's Edition" of Once Upon a Time in the West on 18 November , with a running time of minutes minutes in some regions.

    The second disc has special features, including three recent documentaries on several aspects of the film:. A restored 4K version has been published by Cineteca Bologna in , with improved colors and image quality.

    Leone's intent was to take the stock conventions of the American Westerns of John Ford , Howard Hawks and others, and rework them in an ironic fashion, essentially reversing their intended meaning in their original sources to create a darker connotation.

    According to film critic and historian Christopher Frayling , the film quotes from as many as 30 classic American Westerns. From Wikipedia, the free encyclopedia.

    Redirected from Spiel mir das Lied vom Tod. This article is about the spaghetti western film. For other uses, see Once Upon a Time in the West disambiguation.

    Theatrical release poster by Frank McCarthy. Sergio Donati Sergio Leone. Release date. Running time.

    Als Frank Mew Pokemon zu Jill aufmacht, wird der Namenlose von Cheyenne befreit, der sich ebenfalls im Zug versteckt hatte. Seine Helden sind einsilbige Einzelgänger. Sie haben die vier Leichen auf Tischen aufgebahrt. Eine Fliege summt erst frei, dann gedämpft im Lauf des Revolvers, mit dem sie eingefangen worden ist. Zunächst wollte Leone diese ebenfalls mit einer Komposition von Morricone unterlegen. Nino Baragli. Im literarischen Sinne handelt es sich um eine Schachtelgeschichte Avenger 4, deren Auflösung in einer Analepsezum Ende des Filmes, in einem szenischen Rückblick erfolgt Erzähltheorie.

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